Web design for museums and visitor attractions
Accessible, mobile-first websites that sell the visit and carry the income, built around the people who walk through your doors


Several audiences, one website
The person who matters most is standing outside your door on a phone, working out whether you are open and trying to buy two tickets before the children run off. That visitor shapes the design before anyone else does.
Around them sit teachers booking a school trip, companies asking about venue hire, donors and trustees checking you look the part, and researchers and press after a specific fact. Each one arrives with a different question and a different level of urgency.
We map those journeys before any visual design begins, so the structure holds up for the visitor in a hurry and the trustee doing due diligence.

What brings museums and attractions to us
Most museums and attractions we speak to describe the same problems. The site is tired and undersells a remarkable collection, the photography fails to convey what the place feels like in person, and ticketing was bolted on years ago as an off-site afterthought.
Often a small or volunteer team has inherited a sprawling site nobody has the hours to maintain, so opening times drift out of date and the shop sits half-finished.
We brought the same fix to historian Nick Hewitt's history and heritage consultancy, packaging deep expertise for trustees and the public in a site he can keep current himself.
How we work with museums and attractions
Interviews first
One coherent build
Brand direction, design and build draw from the same work, so the site reads as one piece. New photography and video of the place are part of most projects.
Yours to run
The Household Cavalry Museum story
The Household Cavalry Museum tells the story of the regiment that guards the monarch.
They came to us with a site that looked dated, underused the museum's regal brand colours, and carried no photography conveying the awe and prestige of the place.
We delivered a refreshed WordPress site with a cleaner, modern layout and subtle use of those regal colours. New photography captured the Changing of the Guard and Trooping the Colour, and we added a venue hire video, an image bank, a shop and a clean link through to the ticket portal.
The goals were driving income through the website and a mobile-first experience, and the build was shaped around both.

We had a fantastic experience working with Rubber Duckers on the redevelopment of the Household Cavalry Museum website. From the outset, they took the time to really listen to us. They wanted to understand our weak points and appreciate our key goals, particularly around driving income through the website and ensuring a mobile-first experience.
They were thoughtful, patient and genuinely invested in helping us achieve what we needed, rather than pushing a one-size-fits-all solution. Our website is now easier than ever to explore the Museum’s rich history, plan a visit, and engage with the iconic institution that is the Household Cavalry.
The refreshed online shop makes it much simpler for visitors to browse and buy our unique gifts, souvenirs, and bespoke products from the comfort of home.
This is all supported by fantastic video and photography, which truly brings the website to life and enhances the overall experience.
Their after-support is second to none. They never leave you hanging if you have an issue or need help editing or tweaking content.
The results are honestly better than we could have imagined, and we wouldn’t hesitate to recommend Rubber Duckers to any organisation looking for a collaborative, understanding and highly capable web partner.
Some of the organisations we work with

Accessibility built in, including for AI agents
Accessibility is a baseline expectation for any public-facing attraction, and every visitor needs a site they can use. We build to WCAG 2.2 AA as standard: proper heading structure, keyboard navigation, labelled form fields, sufficient colour contrast and alt text throughout.
Ticket buying is exactly the task AI booking agents are starting to do for people. A site with clean, semantic HTML and a clear purchase path lets an assistant complete "book two tickets for Saturday" the same way a screen reader user can.
Browser agents read the DOM and the accessibility tree rather than the visual layout, so the markup that serves assistive technology serves them too. Building it properly once covers disabled visitors, search engines and the agents arriving now.
What a project costs
Museum and attraction websites are scoped to what the place actually needs, so the figure reflects the work rather than a fixed package. A focused, accessible site covering the core visitor and booking journeys sits at the lower end; a full project with brand work, photography, video and integrated ticketing sits higher.
We do not take on sub-£4,000 projects, because we cannot do them well at that budget. You will have a clear figure early, and you can get an indication now with our website price estimator.
We do not take on sub-£4,000 projects, because we cannot do them well at that budget. You will have a clear figure early, and you can get an indication now with our website price estimator.
After launch, most clients move onto a Growth Partner retainer for security, updates, content and SEO. It suits small and volunteer teams who do not have the hours to keep on top of a busy seasonal site.
£4,000

Who this works for
Founded in Hampshire, we work with culture and heritage organisations across the UK. Most of our work in this sector is with independent organisations that carry a strong story and a small team.
We build sector sites the same way for housing associations, property and sport. The same teams cover web design, photography and video.
Independent and regimental museums
Heritage attractions and historic venues with hire income
Galleries and visitor centres
Frequently asked questions
Let's work together
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